Ableton Live - 6.0 Manual do Utilizador Página 200
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CHAPTER 15. WORKING WITH INSTRUMENTS AND EFFECTS 198
Once a plug-in is placed in a track, you can use it just like a Live device:
You can edit all of its parameters and drag it to different locations in the device chain
or to other tracks, according to the rules of audio effects and instruments.
You can map MIDI controller messages to its parameters.
You can modulate its continuous parameters with clip envelopes.
You can also use the multiple I/O features of some plug-ins by assigning them as
sources or targets in the routing setup of tracks. See the Routing and I/O chapter for
details.
Showing Plug-In Panels in Separate Windows
The Plug-In Edit Button.
The Plug-In Edit button opens a oating window that shows the original VST or Audio Units
Plug-in panel. Changing parameters on the oating window has the same effect as changing
them in the Live panel, and vice versa.
There are a few important Plug-In Preference settings for working with plug-in edit windows:
If activated, the Auto-Open Plug-In Windows Preference assures that plug-in edit
windows open automatically when plug-ins are loaded into tracks from the Browser.
If the Multiple Plug-In Windows option in the Plug-In Preferences is activated, you can
open any number of plug-in windows at once. Even with this option off, you can hold
down the
Ctrl
(PC) / (Mac) modier when opening a new plug-in window to
keep the previous window(s) from closing.
Using the Auto-Hide Plug-In W indows preference, you can choose to have Live display
only those plug-in windows belonging to the track that is currently selected.
- Welcome to Live 3
- 1.2.1 Movie Import 4
- 1.2.3 Mixing and Routing 4
- 1.2.4 Warping 4
- 1.2.7 Processor Maximization 5
- First Steps 6
- 2.2 Setting up Preferences 7
- 2.3 The Main Live Screen 8
- CHAPTER 2. FIRST STEPS 7 9
- Unlocking Live 10
- The Products Tab in the 11
- Preferences 11
- Selecting the Unlock 12
- Button in the Products 12
- The Fields for Entering 12
- Your Serial Number 12
- 3.2 Step 2: Unlocking Live 13
- 3.2.3 Unlocking Online 14
- 3.2.4 Unlocking Ofine 14
- CHAPTER 3. UNLOCKING LIVE 13 15
- 3.3 Copy Protection FAQs 16
- CHAPTER 3. UNLOCKING LIVE 15 17
- Click Here to Hide a 18
- Product's Features 18
- . They are happy to help! 19
- Live Concepts 20
- 4.2 Arrangement and Session 21
- 4.3 Tracks 22
- 4.4 Audio and MIDI 23
- 4.5 Audio Clips and Samples 24
- 4.6 MIDI Clips and MIDI Files 25
- 4.7 Devices and the Mixer 26
- CHAPTER 4. LIVE CONCEPTS 25 27
- CHAPTER 4. LIVE CONCEPTS 26 28
- Live's Crossfader 29
- A MIDI Effect, an 29
- Instrument and an Audio 29
- Effect in a MIDI Track 29
- 4.8 Presets and Racks 30
- 4.9 Routing 30
- 4.10 Recording New Clips 31
- 4.11 Automation Envelopes 32
- 4.12 Clip Envelopes 33
- 4.13 MIDI and Key Remote 33
- 4.14 Saving and Exporting 34
- 4.15 The Library 35
- Choosing the Library 36
- Bookmark 36
- Managing Files and Sets 37
- Library Is this 39
- Browser's Root 39
- The File Browser's 39
- Parent Folder Item 39
- A Folder in the Browser 39
- 5.1.2 Browser Bookmarks 40
- 5.1.3 Searching for Files 40
- Activating Browser 41
- Search Mode 41
- The Search Field and Go 41
- 5.1.4 Previewing Files 43
- Dropping a Clip to 44
- Create a New Track 44
- 5.1.7 Hot-Swap Mode 45
- 5.2 Sample Files 46
- 5.2.1 The Decoding Cache 47
- 5.2.2 Analysis Files (.asd) 48
- 5.2.3 File Pre-Analysis 49
- 5.2.4 Exporting Audio 49
- Rendering Options 50
- 5.3 MIDI Files 51
- 5.4 Live Clips 52
- 5.5 Live Sets 53
- 5.5.2 Merging Sets 54
- Unfolding a Set to 55
- Reveal its Tracks 55
- Revealing the Session 55
- View Clips Contained in 55
- 5.5.4 Template Sets 56
- 5.6 Live Projects 57
- 5.6.1 Projects and Live Sets 58
- A New Project Was 60
- Added by Saving a Live 60
- Set Outside its Original 60
- Project 60
- 5.6.2 Projects and Presets 61
- 5.7 The Live Library 62
- The Library Path 63
- Preference 63
- 5.8 Locating Missing Samples 64
- 5.8.1 Manual Repair 65
- 5.8.2 Automatic Repair 65
- Automatic Repair 66
- Options in the File 66
- Manager 66
- Options for Collecting 68
- External Samples 68
- The File Manager's 68
- Collect and Save Button 68
- 5.11 Finding Unused Samples 69
- Library 71
- 6.1 Navigation 73
- 6.2 Transport 74
- Scrubbing Arrangement 75
- Playback 75
- Setting the Play Position 75
- Position Fields 75
- Using Locators to 76
- Launch Play in the 76
- Arrangement 76
- The Locator Controls 76
- 6.4 The Arrangement Loop 77
- 6.5 Moving and Resizing Clips 78
- 6.6 Selecting Clips and Time 79
- 6.7 Using the Editing Grid 80
- A Gap Between Clips 81
- Has Been Deleted by 81
- First Selecting It, Then 81
- Executing the Delete 81
- Time Command 81
- 6.9 Splitting Clips 82
- 6.10 Consolidating Clips 83
- Session View 85
- 7.1 Session View Clips 86
- 7.2 Tracks and Scenes 87
- 7.3 The Track Status Fields 88
- CHAPTER 7. SESSION VIEW 87 89
- 7.4.1 Select on Launch 90
- 7.4.3 Editing Scenes 91
- CHAPTER 7. SESSION VIEW 90 92
- CHAPTER 7. SESSION VIEW 91 93
- Clip View 94
- CHAPTER 8. CLIP VIEW 93 95
- The Clip View for an 96
- Audio Clip 96
- CHAPTER 8. CLIP VIEW 95 97
- 8.1 The Clip Box 98
- 8.1.3 Clip Signature 99
- 8.1.4 Groove 99
- 8.1.5 Clip Offset and Nudging 100
- CHAPTER 8. CLIP VIEW 99 101
- 8.2 The Sample Box 102
- The Clip Zoom/Scroll 103
- The Clip Overview 103
- CHAPTER 8. CLIP VIEW 102 104
- The Clip Scrub Area 105
- Setting the Clip to Run 106
- Into a Loop 106
- The Clip Loop Controls 106
- 8.2.3 Clip Pitch and Gain 107
- The Save Default Clip 108
- The High Quality Switch 108
- 8.2.7 Clip RAM Mode 109
- 8.2.8 Reversing Samples 110
- 8.2.9 Cropping Samples 110
- 8.3 The Notes Box 111
- 8.3.1 Tempo Controls 112
- 8.3.2 Bank and Program Change 112
- 8.3.3 MIDI Loop/Region 112
- Tempo Control and Warping 114
- 9.2 Time-Warping Samples 115
- 9.2.1 Tempo Master/Slave 116
- 9.2.2 Warp Markers 117
- 9.2.3 Using Warp Markers 118
- A One-Bar Loop as It 119
- Appears in the Clip 119
- View, by Default 119
- Setting the Warp 120
- Markers for a Poorly Cut 120
- Using Warp Markers to 121
- Manipulate the Groove 121
- Auto-Warp's Results in 122
- The Metronome Switch 122
- Using the Context Menu 123
- Three Selected Warp 125
- Markers 125
- 9.3.1 Beats Mode 126
- 9.3.2 Tones Mode 126
- 9.3.3 Texture Mode 126
- 9.3.4 Re-Pitch Mode 127
- 9.3.5 Complex Mode 127
- Chapter 10 128
- 10.2 The MIDI Editor 129
- Previewing MIDI Notes 130
- Note Scale Position Is 130
- Shown Vertically and 130
- Beat-Time Horizontally 130
- MIDI Editor Navigation 131
- The Control Bar's Follow 132
- The MIDI Clip Scrub 132
- 10.4 Editing MIDI 133
- 10.4.3 Grid Snapping 134
- Quantizing MIDI Notes 135
- Copying (Left) and 136
- Pasting (Right) a Loop 136
- 10.4.6 Changing Note Length 137
- 10.4.7 Editing Velocities 138
- 10.4.8 Deactivating Notes 139
- Launching Clips 140
- 11.2 Launch Modes 141
- 11.3 Clip-Level Quantization 142
- 11.4 Velocity 142
- 11.5 Legato Mode 143
- 11.6 Follow Actions 143
- The Follow Action 144
- Controls 144
- 11.6.2 Creating Cycles 146
- Routing and I/O 149
- 12.1 Monitoring 150
- Audio and MIDI Track 151
- Arm Buttons 151
- 12.2 Exter nal Audio In/Out 152
- 12.3 Exter nal MIDI In/Out 152
- The MIDI Ports List in 153
- Activating the Computer 153
- MIDI Keyboard 153
- 12.3.4 MIDI In/Out Indicators 154
- 12.4 Master and Cue Outs 155
- 12.5 ReWire Slave Routing 155
- An Audio Track 156
- Receiving Audio From 156
- Sending MIDI to Reason 156
- 12.6 Resampling 157
- 12.7 Inter nal Routings 157
- Two Ways to Route Track 158
- A into Track B 158
- Routing 159
- Tap Points for Track 159
- Tap Points for Every 160
- Chain in a Track 160
- An Example Setup for 161
- Post-Effects Recording 161
- Recording the Output of 162
- Audio Tracks 162
- Submixing the Individual 162
- Drums of a Drum Kit 162
- Feeding an Additional 163
- MIDI Track Into an 163
- Existing MIDI Track to 163
- Reuse its Instrument 163
- The Instrument Has 164
- Been Isolated in a 164
- Dedicated Track 164
- Using Impulse's 165
- Individual Outs to 165
- Separately Process 165
- Sample Slots 165
- Tracks Feeding MIDI to 166
- From the Parts of a 166
- Multi-Timbral 166
- Instrument 166
- Chapter 13 169
- The Session View Mixer 170
- The Mixer Section 171
- Selectors 171
- The Mixer Controls 171
- 13.1.1 Session Mixer Features 172
- 13.2 Audio and MIDI Tracks 173
- The Send Controls and 174
- Pre/Post Toggle 174
- The Crossfader and 175
- Selector 175
- Choose from Seven 175
- Crossfader Curves 175
- Crossfade Assign 176
- Buttons 176
- 13.5 Soloing and Cueing 177
- 13.6 Track Delays 178
- CHAPTER 13. MIXING 177 179
- Recording New Clips 180
- 14.3 Recording 182
- Recording a New Clip 184
- Into the Session V iew 184
- 14.4 Recording in Sync 186
- 14.6 Recording with Count-in 187
- 14.7 Setting up File Types 188
- The Scene Up/Down 189
- A Track Launch Button 189
- Working with Instruments and 190
- Devices in the Track 191
- 15.1 Using the Live Devices 192
- MIDI and Audio Track 193
- A MIDI Track's Device 194
- Chain Can Contain All 194
- Three Device Types 194
- Device Activator 194
- Switches 194
- 15.1.1 Live Device Presets 195
- Presets in the Device 196
- Browser 196
- The Hot-Swap Presets 196
- 15.2 Using Plug-Ins 197
- The Plug-In Device 198
- A VST Plug-In in the 199
- Track View 199
- The Plug-In Unfold 199
- The Plug-In Edit Button 200
- 15.3 VST Plug-Ins 201
- Setting up VST Plug-In 202
- Sources for Windows 202
- Sources for Mac OS X 202
- 15.3.2 VST Programs and Banks 203
- 15.4 Audio Units Plug-Ins 205
- Opening an Audio Units 206
- Plug-In Window 206
- Instrument and Effect Racks 207
- 16.1 An Overview of Racks 208
- 16.2 Creating Racks 209
- 16.3 Looking at Racks 210
- Racks Can Be Very 211
- Compact 211
- Navigate Racks Quickly 211
- Via a Context Menu 211
- 16.4 Chain List 212
- 16.5 Zones 213
- 16.5.2 Key Zones 214
- 16.5.3 Velocity Zones 215
- 16.5.4 Chain Select Zones 215
- Using Chain Select 216
- Zones to Create Effects 216
- Presets 216
- Crossfading Between 217
- Effects Presets Using 217
- Chain Select Zones 217
- 16.6 Using the Macro Controls 218
- 16.7 Racks Within Racks 219
- Chapter 17 221
- 17.2 Deleting Automation 222
- 17.3 Overriding Automation 222
- An Automation 223
- Envelope in the 223
- Arrangement View 223
- 17.4.1 Drawing Envelopes 224
- 17.4.2 Editing Breakpoints 224
- 17.4.3 Locking Envelopes 225
- 17.4.4 Edit Menu Commands 226
- Clip Envelopes 228
- 18.1 The Clip Envelope Editor 229
- 18.2 Audio Clip Envelopes 230
- The Transposition 232
- Envelope with Steps 232
- (Top) and Ramps 232
- (Bottom) 232
- 18.2.4 Scrambling Beats 233
- Repeating Steps and 234
- Slowing Time with the 234
- Sample Offset Envelope 234
- 18.3.2 Modulating Pan 236
- A MIDI Controller Clip 237
- Envelope 237
- Using a Clip Envelope to 238
- Create a Fade-Out Over 238
- Several Repetitions of a 238
- The Sample (Left) and 239
- Envelope (Right) Start 239
- 18.5.4 Clip Envelopes as LFOs 240
- Working with Video 241
- A Video Clip with a 242
- QuickTime Marker 242
- 19.2.2 The Video Window 243
- 19.2.3 Clip View 243
- 19.3 Matching Sound to Video 244
- 19.4 Video Trimming Tricks 245
- A Video Clip at the Start 246
- Dragging the Start 246
- Marker behind the 246
- Pre-Roll 246
- The Video Clip and the 247
- Final Clip of Music 247
- The Video Clip with 247
- Pre-Roll Restored 247
- Live Audio Effect Reference 248
- controls dene the 249
- 20.2 Auto Pan 250
- 20.3 Beat Repeat 251
- 20.4 Chorus 253
- 20.5 Compressor I 254
- 20.6 Compressor II 255
- 20.7 Dynamic Tube 257
- 20.8 EQ Eight 258
- 20.9 EQ Three 259
- 20.10 Erosion 261
- 20.11 Filter Delay 262
- 20.12 Flanger 263
- 20.13 Gate 264
- 20.14 Grain Delay 265
- 20.15 Phaser 267
- 20.16 Ping Pong Delay 268
- 20.17 Redux 269
- 20.18 Resonators 270
- 20.19 Reverb 272
- 20.19.3 Global Settings 273
- 20.19.4 Diffusion Network 273
- 20.20 Saturator 274
- 20.21 Simple Delay 276
- 20.22 Utility 277
- 20.23 Vinyl Distortion 278
- Live MIDI Effect Reference 280
- Con & Diverge 282
- Pinky Up and Pinky 282
- UpDown 282
- Thumb Up and 282
- Thumb UpDown 282
- 21.2 Chord 284
- 21.3 Note Length 285
- 21.4 Pitch 286
- 21.5 Random 287
- 21.6 Scale 288
- 21.7 Velocity 289
- Live Instrument Reference 291
- 22.1 Impulse 292
- 22.1.3 Filter 293
- 22.1.4 Saturator and Envelope 294
- 22.1.5 Pan and Volume 294
- 22.1.6 Global Controls 294
- 22.1.7 Individual Outputs 294
- 22.2 Operator 295
- Operator Folded 296
- Operator's Global 296
- Display 296
- Oscillator D's Display 297
- 22.2.3 LFO Section 299
- 22.2.4 Envelopes 300
- 22.2.5 Filter Section 302
- 22.2.6 Global Controls 302
- 22.2.7 Glide and Spread 303
- 22.2.9 Finally 304
- 22.3 Sampler 311
- 22.3.1 Multisampling 312
- 22.3.2 Sampler's Tabs 313
- 22.3.3 The Zone Tab 314
- 22.3.4 The Sample Tab 316
- 22.3.5 The Pitch/Osc Tab 319
- 22.3.6 The Filter/Global Tab 320
- 22.3.7 The Modulation Tab 321
- 22.3.8 The MIDI Tab 321
- 22.4 Simpler 322
- 22.4.3 Zoom 323
- 22.4.4 Envelope 324
- 22.4.5 Filter 324
- 22.4.6 LFO 324
- 22.4.7 Glide and Spread 325
- 22.5.1 EIC Installation 327
- MIDI and Key Remote Control 329
- 23.1 MIDI Remote Control 330
- Control Surfaces Can 332
- Follow Device Selection 332
- Getting Hands-On: 332
- Control Surfaces Can Be 332
- Locked to Devices 332
- Dening Control 333
- Surfaces Manually 333
- 23.1.3 Take-Over Mode 334
- 23.2 The Mapping Browser 335
- 23.2.2 Mapping to MIDI Notes 336
- and Twos 338
- 065127 063001 338
- The Relative Session 339
- Mapping Strip 339
- The Key Map Mode 340
- 23.3 Mackie Control 341
- 23.3.1 Channel Strips 342
- The V-Pots and 344
- Assignment Switches 344
- Bank, Channel, Flip and 346
- Return Buttons 346
- 23.3.4 Transport 348
- The Software-Specic 351
- Synchronization and ReWire 353
- Choosing a MIDI Slave 354
- Setting up Live as a MIDI 354
- 24.1.3 MIDI Timecode Options 355
- 24.1.4 Sync Delay 355
- 24.2 Connecting via ReWire 356
- 24.2.3 More on ReWire 358
- Computer Audio Resources and 359
- Strategies 359
- The CPU Load Meter 360
- 25.1.3 Track Freeze 361
- A Frozen Arrangement 362
- Track with a Reverb Tail 362
- 25.2 Managing the Disk Load 363
- Live Keyboard Shortcuts 364
- 26.2 Accessing Menus 365
- 26.3 Adjusting Values 365
- 26.4 Browsing 366
- 26.5 Transport 366
- 26.6 Editing 367
- 26.8 Session View Commands 368
- 26.10 Commands for Tracks 369
- 26.15 Clip View MIDI Editor 372
- 26.17 Global Quantization 373
- 26.20 Using the Context Menu 374
- Chapter 27 375
- INDEX 375 377
- INDEX 376 378
- INDEX 377 379
- INDEX 378 380
- INDEX 379 381
- INDEX 380 382
- INDEX 381 383
- INDEX 382 384
- INDEX 383 385
- INDEX 384 386
- INDEX 385 387
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