Ableton Live - 5.0 Manual de Instruções descarregar pdf (Página 154)

12.2. EXTERNAL AUDIO IN/OUT 152

using an external mixing console for monitoring or when using an audio hardware

interface with a direct monitoring option that bypasses the computer so as to avoid

latency. Generally, it is preferable to work with an audio interface that allows for

negligible latencies (a few milliseconds). If you are recording into Live with monitoring

set to Off, you may want to make the Audio Preferences' Overall Latency adjustment,

which is described in the built-in program tutorial on setting up the Audio Preferences.

12.2 Exter nal Audio In/Out

An audio interface's inputs are selected by choosing Ext. In from the Input Type chooser of

an audio track. The Input Channel chooser then offers the individual input channels. Entries

in this chooser each have meters next to their names to help you identify signal presence

and overload (when the meter ashes red). Setting up the audio interface's outputs works

the same way via the output chooser pair.

The list of available inputs and outputs depends on the Audio Preferences, which can be

reached via the Input and Output Channel choosers Congure... option. Note that

the Audio Preferences also provide access to the Channel Conguration dialogs, which

determine which inputs and outputs are used, and whether they are available to Live as

mono or stereo pairs. Essentially, the Channel Conguration dialog tells Live what it needs

to know about how the computer is connected to the other audio components in your

studio.

12.2.1 Mono/Stereo Conversions

When a mono signal is chosen as an audio track's input, the track will record mono samples;

otherwise it will record stereo samples. Signals in the track's device chain are always stereo,

even when the track's input is mono or when the track plays mono samples.

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Ableton Live - 5.0 Manual de Instruções Página 154