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CHAPTER 20. LIVE AUDIO EFFECT REFERENCE 261

20.10 Filter Delay

The Filter Delay Effect.

The Filter Delay provides three independent delay lines, each preceded by linked lowpass

and highpass lters. This allows applying delay to only certain input signal frequencies, as

determined by the lter settings. The feedback from each of the three delays is also routed

back through the lters.

Each of the three delays can be switched on and off independently. The Filter Delay device

assigns delay 1 to the input signal's left channel, delay 2 to the left and right channels and

delay 3 to the right channel. The Pan controls at the right can override the delay channels'

outputs; otherwise each delay outputs on the channel from which it derives its input.

Each delay channel's lter has an associated On switch, located to the left of each X-Y

controller. The X-Y controllers adjust the lowpass and highpass lters simultaneously for

each delay. To edit lter bandwidth, click and drag on the vertical axis; click and drag on

the horizontal axis to set the lter band's frequency.

To refer delay time to the song tempo, activate the Sync switch, which allows using the Delay

Time beat division chooser. The numbered switches represent time delay in 16th notes. For

example, selecting 4 delays the signal by four 16th notes, which equals one beat (a quarter

note) of delay. With Sync Mode active, changing the Delay Time eld percentage value

shortens and extends delay times by fractional amounts, thus producing the swing type

of timing effect found in drum machines.

If the Sync switch is off, the delay time reverts to milliseconds. In this case, to edit the delay

time, click and drag up or down in the Delay Time eld, or click in the eld and type in a

value.

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Vikinin 04 Jan 2024 | 12:03:19

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Ableton Live Intro Manual de Instruções Página 263