Ableton Live - 9.0 Manual do Utilizador Página 306

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306 Live Audio Effect Reference
lowest note will have priority. The Transpose and Fine knobs allow for coarse and fine offset of
the MIDI-modulated tuning. PB Range sets the range in semitones of pitch bend modulation.
With Frequency disabled, the Tune control adjusts the base frequency of the resonance in Hertz.
The corresponding MIDI note number and fine tuning offset in cents is displayed below.
Enabling Off Decay causes MIDI note off messages to mute the resonance. The slider below the
switch determines the extent to which MIDI note off messages mute the resonance. At 0%, note
offs are ignored, and the decay time is based only on the value of the Decay parameter, which
is located under the Resonance Type selector. This is similar to how real-world mallet instruments
such as a marimbas and glockenspiels behave. At 100%, the resonance is muted immediately at
note off, regardless of the Decay time.
You can hide or show the Sidechain parameters by toggling the button in Corpuss title bar.
This button will light up if the sidechain is active.
Corpus contains a Low Frequency Oscillator (LFO) to modulate the resonant frequency. The
Amount control sets how much the LFO affects the frequency.
The Rate control specifies the LFO speed. It can be set in terms of Hertz, or synced to the song
tempo, allowing for controlled rhythmic modulation.
Available LFO waveform shapes are sine (creates smooth modulations with rounded peaks and
valleys), square, triangle, sawtooth up, sawtooth down and two types of noise (stepped and
smooth).
Although only one set of LFO controls is visible, there are actually two LFOs, one for each stereo
channel. The Phase and Spin controls define the relationship between these two LFOs.
Phase (available only when the LFOs are synced to song tempo) keeps both LFOs at the same
frequency, but can set the two LFO waveforms ”out of phase” with each other, creating stereo
movement. Set to ”180”, the LFO outputs are 180 degrees apart, so that when one LFO reaches
its peak, the other is at its minimum. With Phase set to ”360” or ”0” the two LFOs run in sync.
Spin (only available when the LFOs are in Hertz mode) detunes the two LFO speeds relative to
each other. Each stereo channel is modulated at a different frequency, as determined by the
Spin amount.
For the noise waveforms, the Phase and Spin controls are not relevant and do not affect the
sound.
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