Ableton Live - 9.0 Manual do Utilizador descarregar pdf (Página 405)

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405 Live Instrument Reference

24.5.3 Filter

The Filter section offers a broad range of ﬁlter types, each of which can impart different sonic

characteristics onto the sample by removing certain frequencies. The Frequency control deﬁnes

where in the harmonic spectrum the ﬁlter is applied; the Resonance control boosts frequencies

near that point. Filter Frequency can be modulated by either a random value or by MIDI note

velocity.

24.5.4 Saturator and Envelope

The Saturator gives the sample a fatter, rounder, more analog sound, and can be switched

on and off as desired. The Drive control boosts the signal and adds distortion. Coincidentally,

this makes most signals much louder, and should usually be compensated for by lowering the

sample’s volume control. Extreme Drive settings on low-pitched sounds will produce the typical,

overdriven analog synth drum sounds.

The envelope can be adjusted using the Decay control, which can be set to a maximum of 10.0

seconds. Impulse has two decay modes: Trigger Mode allows the sample to decay with the

note; Gate Mode forces the envelope to wait for a note off message before beginning the de-

cay. This mode is useful in situations where you need variable decay lengths, as is the case with

hi-hat cymbal sounds.

24.5.5 Pan and Volume

Each sample has Volume and Pan controls that adjust amplitude and stereo positioning, respec-

tively. Both controls can be modulated: Pan by velocity and a random value, and Volume by

velocity only.

24.5.6 Global Controls

The parameters located to the right of the sample slots are global controls that apply to all

samples within Impulse’s domain. Volume adjusts the overall level of the instrument, and Transp

adjusts the transposition of all samples. The Time control governs the time-stretching and decay

of all samples, allowing you to morph between short and stretched drum sounds.

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