Ableton Live - 9.0 Manual do Utilizador Página 422
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422 Live Instrument Reference
LFO Waveform — Select from among several typical LFO waveforms. Sample and Hold (S&H)
creates random steps, and Noise supplies bandpass-filtered noise. All waveforms are band-
limited to avoid unwanted clicks.
LFO Range — The LFO covers an extreme frequency range. Choose Low for a range from 50
seconds to 30 Hz, or Hi for 8 Hz to 12 kHz. Sync causes the LFO’s rate to be synced to your
Set’s tempo. Due to the possible high frequencies, the LFO can also function as a fifth oscillator.
Retrigger (R) — When enabled, the LFO restarts at the same position in its phase each time a
note is triggered. With R disabled, the LFO is free-running.
LFO Rate (Rate) — This sets the rate of the LFO. The actual frequency also depends on the setting
of the LFO Range and the LFO Rate<Key controls.
LFO Amount (Amount) — This sets the overall intensity of the LFO. Note that the actual effect also
depends on the LFO envelope.
LFO to Osc (Destination A-D) — The LFO modulates the frequency of the respective oscillator if
this is turned on.
LFO to Filter Cutoff Frequency (Destination FIL) — The LFO modulates the cutoff frequency of the
filter if this is turned on.
LFO Amount A — This sets the intensity of the LFO’s modulation of the oscillators and filter.
LFO Destination B — This sets the second modulation destination for the LFO.
LFO Amount B — This sets the intensity of the LFO’s modulation of the secondary target.
LFO Envelope Rates<Velocity (Time<Vel) — This parameter exists for filter, pitch, LFO and vol-
ume envelopes. It is therefore listed in the section on envelopes.
LFO Rate<Key (Rate<Key) — The LFO’s frequency can be a function of note pitch. If this is set to
100%, the LFO will double its frequency per octave, functioning like a normal oscillator.
LFO Amount<Velocity (Amt<Vel) — This setting adjusts modulation of the LFO intensity by note
velocity.
- Welcome to Live 3
- 1.2.3 Envelope Curves 4
- 1.2.6 Redesigned Browser 5
- 1.2.10 Device Improvements 6
- 1.2.11 Ableton Push 6
- First Steps 7
- 2.2 Setting up Preferences 8
- 2.3 The Main Live Screen 9
- Authorizing Live 11
- Authorized? 12
- Copy Protection? 13
- 14 Authorizing Live 14
- Live Concepts 15
- 4.2 Live Sets 16
- 4.3 Arrangement and Session 16
- 4.4 Tracks 17
- 4.5 Audio and MIDI 20
- 4.6 Audio Clips and Samples 20
- 4.8 Devices and the Mixer 23
- 4.9 Presets and Racks 26
- 4.10 Routing 26
- 4.11 Recording New Clips 27
- 4.12 Automation Envelopes 28
- 4.13 Clip Envelopes 29
- 4.14 MIDI and Key Remote 30
- 4.15 Saving and Exporting 31
- Managing Files and Sets 33
- 5.1.2 User Folders 36
- 5.1.3 Searching for Files 37
- Adding Clips from the Browser 39
- Hot-Swap Mode 40
- 5.2 Sample Files 41
- 5.2.2 Analysis Files (.asd) 42
- Audio Rendering Options 45
- Real-Time Rendering 46
- Rendering Video 48
- 5.3 MIDI Files 49
- 5.4 Live Clips 50
- 5.5 Live Sets 51
- 5.5.4 Template Sets 53
- 5.6 Live Projects 55
- 5.6.1 Projects and Live Sets 56
- 5.7 Locating Missing Files 59
- 5.7.1 Manual Repair 60
- 5.7.2 Automatic Repair 60
- 5.10 Finding Unused Files 64
- 5.12 File Management FAQs 65
- Own Folder Structure? 67
- 68 Managing Files and Sets 68
- Arrangement View 69
- 6.2 Transport 71
- 6.4 Time Signature Changes 74
- 6.5 The Arrangement Loop 76
- 6.8 Selecting Clips and Time 80
- 6.9 Using the Editing Grid 82
- 6.11 Splitting Clips 84
- 6.12 Consolidating Clips 84
- 86 Arrangement View 86
- Session View 87
- 7.2 Tracks and Scenes 89
- 7.3 The Track Status Fields 91
- 7.4.1 Select on Launch 93
- 7.4.3 Editing Scenes 93
- Clip View 97
- 8.1 The Clip Box 100
- 8.1.2 Clip Name and Color 101
- 8.1.3 Clip Signature 101
- 8.1.4 Clip Groove Chooser 101
- 8.2 The Sample Box 103
- Zooming and Scrolling 104
- Playing and Scrubbing Clips 105
- Looping Clips 107
- 8.2.3 Clip Pitch and Gain 110
- 8.2.8 Clip RAM Mode 113
- 8.2.9 Reversing Samples 113
- 8.2.10 Cropping Audio Clips 114
- 8.3 The Notes Box 115
- 8.3.3 MIDI Loop/Region 116
- Audio Clips, Tempo, and 117
- 9.1.2 Tapping the Tempo 118
- 9.1.3 Nudging the Tempo 118
- 9.2 Time-Warping Samples 119
- 9.2.1 Tempo Master/Slave 120
- 9.2.2 Warp Markers 120
- Saving Warp Markers 122
- 9.2.3 Using Warp Markers 123
- Syncing Odd-Length Loops 124
- Manipulating Grooves 124
- Syncing Longer Pieces 125
- 9.2.4 Quantizing Audio 128
- 9.3.1 Beats Mode 129
- 9.3.2 Tones Mode 130
- 9.3.3 Texture Mode 131
- 9.3.4 Re-Pitch Mode 131
- 9.3.5 Complex Mode 131
- 9.3.6 Complex Pro Mode 132
- 9.3.7 REX Mode 132
- Editing MIDI Notes and 133
- Velocities 133
- 10.2 The MIDI Editor 134
- 10.4 Editing MIDI 138
- 10.4.3 Grid Snapping 139
- 10.4.4 Editing Notes 140
- 10.4.5 Changing Note Length 141
- 10.4.7 Quantizing Notes 142
- 10.4.8 Editing Velocities 143
- Note-Off Velocity 145
- 10.4.9 MIDI Note Stretch 146
- 10.4.10 Cropping MIDI Clips 147
- 10.4.11 Deactivating Notes 147
- 10.4.12 The Transform Tools 147
- Converting Audio to MIDI 149
- 11.1.1 Resequencing Slices 151
- Using Grooves 155
- 12.1 Groove Pool 156
- 12.1.2 Committing Grooves 158
- 12.2 Editing Grooves 159
- 12.3 Groove Tips 159
- Launching Clips 161
- 13.2 Launch Modes 162
- 13.4 Velocity 163
- 13.5 Legato Mode 164
- 13.6 Follow Actions 164
- 13.6.2 Creating Cycles 167
- 170 Launching Clips 170
- Routing and I/O 171
- 14.1 Monitoring 172
- 14.2 External Audio In/Out 173
- 14.3 External MIDI In/Out 174
- 14.4 ReWire Slave Routing 176
- 14.5 Resampling 178
- 14.6 Internal Routings 179
- Routing Points in Racks 181
- Post-Effects Recording 182
- Recording MIDI as Audio 182
- Creating Submixes 183
- Feeding Sidechain Inputs 188
- Layering Instruments 189
- 19 0 Routing and I/O 190
- Chapter 15 191
- 15.2 Audio and MIDI Tracks 195
- 15.3 Group Tracks 196
- 15.5 Using Live’s Crossfader 199
- 15.6 Soloing and Cueing 202
- 15.7 Track Delays 203
- Recording New Clips 205
- 16.3 Recording 207
- 16.3.4 MIDI Step Recording 210
- 16.4 Recording in Sync 211
- 16.6 Recording with Count-in 213
- 16.7 Setting up File Types 214
- 216 Recording New Clips 216
- Working with Instruments and 217
- 17.1 Using the Live Devices 219
- 17.1.1 Live Device Presets 222
- Saving Presets 223
- Default Presets 224
- 17.2 Using Plug-Ins 226
- Plug-In Configure Mode 229
- 17.3 VST Plug-Ins 231
- 17.4 Audio Units Plug-Ins 234
- Instrument, Drum and Effect 237
- 18.1 An Overview of Racks 238
- 18.2 Creating Racks 239
- 18.3 Looking at Racks 240
- 18.4 Chain List 242
- 18.4.1 Auto Select 243
- 18.5 Zones 244
- 18.5.2 Key Zones 245
- 18.5.3 Velocity Zones 246
- 18.5.4 Chain Select Zones 246
- 18.6 Drum Racks 248
- 18.6.1 Pad View 250
- 18.8 Mixing With Racks 253
- 18.8.1 Extracting Chains 254
- Automation and Editing 257
- Envelopes 257
- 19.3 Deleting Automation 260
- 19.4 Overriding Automation 260
- 19.5.1 Drawing Envelopes 263
- 19.5.2 Editing Breakpoints 263
- 19.5.3 Locking Envelopes 265
- 19.5.4 Edit Menu Commands 265
- Clip Envelopes 267
- 20.2 Audio Clip Envelopes 269
- 20.2.4 Scrambling Beats 271
- 20.3.2 Modulating Pan 274
- Working with Video 279
- 21.2.2 The Video Window 281
- 21.2.3 Clip View 281
- 21.3 Matching Sound to Video 282
- 21.4 Video Trimming Tricks 283
- 286 Working with Video 286
- Live Audio Effect Reference 287
- 22.1.1 Amp Tips 289
- 22.2 Auto Filter 290
- 22.3 Auto Pan 292
- 22.4 Beat Repeat 293
- 22.5 Cabinet 295
- 22.5.1 Cabinet Tips 296
- 22.6 Chorus 297
- 22.7 Compressor 299
- 22.7.1 Sidechain Parameters 303
- 22.7.2 Compression Tips 304
- 22.8 Corpus 305
- 22.9 Dynamic Tube 309
- 22.10 EQ Eight 310
- 22.11 EQ Three 313
- 22.12 Erosion 315
- 22.13 External Audio Effect 316
- 22.14 Filter Delay 317
- 22.15 Flanger 319
- 22.16 Frequency Shifter 320
- Drum tuning 322
- Learning more 322
- 22.17 Gate 323
- 22.18 Glue Compressor 325
- 22.18.1 Sidechain Parameters 327
- 22.19 Grain Delay 328
- 22.20 Limiter 330
- 22.21 Looper 331
- Undo/Redo 333
- Doubleclick 333
- 22.21.1 Feedback Routing 335
- 22.22 Multiband Dynamics 336
- (common) 337
- (uncommon) 337
- 22.22.3 Sidechain Parameters 340
- Basic Multiband Compression 341
- De-essing 341
- 22.23 Overdrive 342
- 22.24 Phaser 343
- 22.25 Ping Pong Delay 345
- 22.26 Redux 346
- 22.27 Resonators 347
- 22.28 Reverb 349
- 22.28.3 Global Settings 350
- 22.28.4 Diffusion Network 350
- 22.29 Saturator 351
- 22.30 Simple Delay 353
- 22.31 Spectrum 354
- 22.32 Utility 356
- 22.33 Vinyl Distortion 357
- 22.34 Vocoder 358
- 22.34.1 Vocoder Tips 361
- Live MIDI Effect Reference 363
- 23.2 Chord 367
- 23.3 Note Length 368
- 23.4 Pitch 369
- 23.5 Random 370
- 23.6 Scale 371
- 23.7 Velocity 372
- Live Instrument Reference 375
- 24.1.2 Oscillators 377
- 24.1.3 Noise Generator 378
- 24.1.4 Filters 379
- 24.1.5 Amplifiers 380
- 24.1.6 Envelopes 381
- 24.1.7 LFOs 383
- 24.1.8 Global Parameters 384
- 24.2 Collision 386
- 24.2.2 Excitator Tab 387
- The Noise Section 388
- 24.2.3 Resonator Tabs 389
- Tuning Section 390
- Physical Properties Section 391
- 24.2.4 LFO Tab 393
- 24.2.5 MIDI Tab 394
- Resonator 1 395
- Resonator 2 395
- 24.3 Electric 397
- 24.3.2 Mallet Section 398
- 24.3.3 Fork Section 399
- 24.3.4 Damper Section 399
- 24.3.5 Pickup Section 400
- 24.3.6 Global Section 400
- 24.4 External Instrument 401
- 24.5 Impulse 403
- 24.5.3 Filter 405
- 24.5.5 Pan and Volume 405
- 24.5.6 Global Controls 405
- 24.6 Operator 406
- 24.6.2 Oscillator Section 408
- User Waveforms 409
- More Oscillator Parameters 409
- Aliasing 410
- 24.6.3 LFO Section 411
- 24.6.4 Envelopes 412
- 24.6.5 Filter Section 414
- 24.6.6 Global Controls 415
- 24.6.7 Glide and Spread 416
- 24.6.9 Finally 417
- Modulation Targets 418
- Pitch Shell and Display 419
- Filter Shell and Display 420
- LFO Shell and Display 421
- Envelope Display 424
- Context Menu Parameters 426
- 24.7 Sampler 427
- 24.7.3 Title Bar Options 428
- 24.7.4 Sampler’s Tabs 429
- 24.7.5 The Zone Tab 430
- The Sample Layer List 431
- Key Zones 434
- Velocity Zones 435
- Sample Select Zones 435
- 24.7.6 The Sample Tab 436
- Sample Playback 437
- Sustain Loop 440
- Release Loop 440
- Sustain Crossfade 441
- Release Crossfade 441
- 24.7.7 The Pitch/Osc Tab 443
- The Pitch Envelope 444
- 24.7.8 The Filter/Global Tab 445
- The Filter 446
- The Volume Envelope 447
- 24.7.9 The Modulation Tab 448
- 24.7.10 The MIDI Tab 451
- 24.8 Simpler 452
- 24.8.1 Sample View 453
- 24.8.2 Sample Controls 453
- 24.8.3 Zoom 454
- 24.8.4 Envelope 454
- 24.8.5 Filter 454
- 24.8.6 LFO 455
- 24.8.7 Glide and Spread 455
- 24.9 Tension 457
- 24.9.2 String Tab 458
- The String Section 460
- The Vibrato Section 461
- The Damper Section 462
- The Termination Section 463
- The Pickup Section 464
- The Body Section 464
- 24.9.3 Filter/Global Tab 465
- 24.9.4 Sound Design Tips 468
- 470 Live Instrument Reference 470
- Max for Live 471
- 25.4 Max Dependencies 475
- 476 Max for Live 476
- MIDI and Key Remote Control 477
- Instant Mappings 479
- 26.1.3 Takeover Mode 481
- 26.2 The Mapping Browser 482
- 26.2.2 Mapping to MIDI Notes 483
- Mapping to Clip View Controls 486
- Using Push 489
- 27.1 Setup 490
- Drum Rack Pads 492
- Loop Length Controls 492
- Step Sequencer Controls 492
- 27.3.2 Step Sequencing 494
- 27.3.3 Real-time Recording 497
- 27.4.1 Recording with Repeat 500
- 27.4.2 Quantizing 501
- 27.5.1 Playing in Other Keys 505
- 27.6 Navigating in Note Mode 506
- 27.8 Mixing with Push 509
- 27.9 Recording Automation 510
- 27.10.1 Session Overview 512
- 27.12 Push Control Reference 516
- Add Section 517
- Note Section 518
- State Control Section 519
- Selection Control Section 519
- Display/Encoder Section 520
- Tempo Section 522
- Edit Section 523
- Transport Section 524
- Touch Strip 525
- Pad Section 526
- Scene/Grid Section 527
- Footswitches 527
- 528 Using Push 528
- Using the APC40 529
- 28.2 Clip Launch Matrix 530
- 28.3 Session Overview 532
- 28.4 Mixer Section 532
- 28.5 Device Control 533
- 28.7 Track Control 536
- 28.8 Tempo Control 536
- 28.9 Crossfader 538
- 28.11 Combination Mode 539
- 540 Using the APC40 540
- Using the APC20 541
- 29.2 Clip Launch Matrix 542
- 29.3 Session Overview 544
- 29.5 Mixer 545
- 29.6 Note Mode 547
- 29.7 Combination Mode 547
- 548 Using the APC20 548
- Using the Launchpad 549
- 30.2 Launchpad’s Four Modes 550
- 30.3 Session Mode 550
- 30.3.1 Launching Clips 551
- 30.3.2 Session Overview 552
- 30.4 User Modes 553
- 30.5 Mixer Mode 555
- 30.5.1 Mixer Overview 556
- 30.5.2 The Volume Page 557
- 30.5.3 The Pan Page 558
- 30.5.4 The Send Pages 559
- 560 Using the Launchpad 560
- Synchronization and ReWire 561
- 31.1.3 MIDI Timecode Options 563
- 31.1.4 Sync Delay 563
- 31.2 Connecting via ReWire 564
- 31.2.3 More on ReWire 565
- Computer Audio Resources and 567
- Strategies 567
- 32.1.3 Track Freeze 569
- 32.2 Managing the Disk Load 571
- Audio Fact Sheet 573
- 33.2.1 Undithered Rendering 574
- 33.2.7 Freeze, Flatten 576
- 33.2.8 Bypassed Effects 577
- 33.2.9 Routing 577
- 33.3 Non-Neutral Operations 578
- 33.3.3 Volume Automation 579
- 33.3.4 Dithering 580
- 33.3.7 Consolidate 580
- 33.3.8 Clip fades 581
- 33.3.9 Panning 581
- 33.3.10 Grooves 581
- 33.5 Summary and Conclusions 582
- MIDI Fact Sheet 583
- 34.2 MIDI Timing Problems 584
- 34.3 Live’s MIDI Solutions 584
- Tests and Results 586
- 34.6 Summary and Conclusions 589
- 590 MIDI Fact Sheet 590
- Live Keyboard Shortcuts 591
- 35.2 Accessing Menus 592
- 35.3 Adjusting Values 592
- 35.4 Browsing 592
- 35.5 Transport 593
- 35.6 Editing 593
- 35.8 Session View Commands 594
- 35.10 Commands for Tracks 595
- MIDI Keyboard 596
- 35.15 Clip View MIDI Editor 598
- 35.17 Global Quantization 599
- 35.20 Using the Context Menu 600
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